Call for Papers – ESA Emotions Network Midterm Conference 2014**DEADLINE EXTENDED TO APRIL 6TH 2014**

Antony Gormley: FEELING MATERIAL XIV, 2004 4 mm square section mild steel bar 225 x 218 x 170 cm Photograph by Stephen White, London
Antony Gormley: FEELING MATERIAL XIV, 2004
4 mm square section mild steel bar
225 x 218 x 170 cm
Photograph by Stephen White, London

** DEADLINE EXTENDED TO APRIL 6TH 2014**

The ESA Emotions Network (RN11) will hold their 6th midterm conference between 25-27 September, 2014. The conference will take place on the island of Rhodes, Greece, in the University of the Aegean. This year, in addition to the usual streams, the conference will feature two special workshops on emotions – one for PhD students (featuring Prof. Helena Flam and Prof. Helmut Kuzmics), and one on the use of literary analysis for sociology of emotions research (again, featuring Prof. Helmut Kuzmics and Dr. Stephanie Bird). The proposed sessions, towards which you might pitch your abstracts, include: Theorizing Emotions; Emotions and: Morality; Globalization; Religion; Civic Action; Power; Literature; Law; Finance; Visuals; Migration-Sensations-Spaces; Post-Atrocity Emotions; and Researching Emotions Empirically. The full call for papers is here: CfP RN 11 Midterm Rhodes final(pdf).

Abstracts not exceeding 300 words should be sent by the 31st of March 2014 to Jochen Kleres (jkleresATposteo.de). Please use “RN 11 midterm submission”in the subject line of your email. Also, please send your abstract indicating whether it is for a specific session listed above. Notifications about the abstracts selected for presentation at the midterm conference will be made by mid-May 2014. Conference fees, more precise conference times, and links to accommodation will be announced then.

I hope to make it this year myself and I urge those working on affect or emotions to submit an abstract. I have been to other conferences with this group and always found them both intellectually stimulating and, perhaps more importantly, filled with interesting, warm and (not least) fun social scientists from all over the world. But hurry up! The deadline is Monday!

 

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Call for Papers: Poesis: The Ambivalent Creation of the Truth.

Sixth International Political Anthropology Workshop in Ireland on Poesis: The ambivalent creation of the truth.

Deadline for abstracts is Friday 13th of January 2013.
Feel free to contact the convenors earlier for consultation and information
http://www.politicalanthropology.com

Waterford Institute of Technology
Organised by the Department of Applied Arts, Waterford Institute of Technology, the Journal International Political Anthropology, and the School of Sociology & Philosophy, University College Cork
Conveners: Tom Boland (Sociology, WIT, tboland@wit.ie,) and John O’ Brien, (Sociology, WIT, jfobrien@wit.ie,)
There is nothing more poetic than the sense, or even the sensation, of moving beyond fiction towards the truth. As Nietzsche pointed out, all of our truths are fictions which we have ceased to recognise as creative poesis: the foundational concepts of philosophy, theology and all the modern disciplines emerge from stories. Inevitably – whatever our scientific or critical impulses – we live culturally within one fictional world or another or even in many worlds that overlap in complex ways. And, of course, we are ambivalent about this poesis: Whose fiction is it? Does fictional mean false, ideological and erroneous? And what might happen if the fiction starts to wear thin – will there be disenchantment, alienation or renewal?
The intersections of culture and society are no narrow specialism, but increasingly a concern common to many disciplines. Cultural anthropology, at least since Geertz, has taken the meaning making practices of human societies as a central area of inquiry. Cultural sociology has grown from a minor field to a central paradigm. Literary and performance theory, musicology and cognate disciplines have become increasingly concerned with culture and context, from new historicism to reader response theories. This conference will bring together papers concerned with poesis and culture from all of these areas which engage with the ambivalent status of truth after the cultural turn, the historical turn and the performative turn. How can we turn to the question of meaning and truth again? And how could we not?
Complicating the ‘ancient quarrel’ of poetry and philosophy, Socrates does not simply denigrate poetry, but seeks to purify it into contemplation of the true, then famously launches into the ‘cave myth’. This passage from the cave of illusions into the real world of the forms, with the sun posited as the good, is mediated through metaphor. Why doesn’t he just explain it theoretically? One may as well ask; why can’t we just stare into the sun? The arduous task of leaving the cave is akin to the difficult work of interpretation. The works of theory and of poesis are equally liminal trials, to find meaning, to find truth.
By no means can the question of poesis and truth be confined to the sepulchral realms of high art or the distracting froth of popular culture. Despite the dominance of technocratic discourse, the political world is animated by fictions, from universalising utopian visions to images of the nation. Ultimately politics is a contest over meaning. Similarly that thing which we sometimes call ‘economic reality’ is also a storied world, with confidence, booms and busts the material of our contemporary morality tale. The tale of technological world domination, the bildungsroman of entrepreneurial success, the Faustian pact of progress and the carnival world of the market are all fictions. And of course, culture is now an industry, so that tourism, advertising and education are sites of the production and consumption of poesis and truth.
However, this brings us to problems of distinction: Are all societies alike in creating meaning? Modernity is associated with a dearth of meaning, a decline of poesis and truth becoming singular and univocal – but is this our near-sighted parochialism? Are all elements of society meaning-making? Every human action exists in a nexus of meaning, but it is hardly an undifferentiated continuum, and surely there are particular sources of meaning which deserve academic attention, from poetry, to religion, to authority, to ritual and beyond.
We invite plenary and session papers on:
– Poetry and truth, theory and meaning.
– Society as a fictional world: in modernity and beyond.
– Politics as the contested field of meaning.
– Poesis and everyday life.
– The marketplace for meaning and productive poesis.

Deadline for abstracts is Friday 13th of January 2013.
Feel free to contact the convenors earlier for consultation and information
http://www.politicalanthropology.com

La Maison en Petits Cubes (2008)

As promised when I posted Hedgehog in the Fog some time ago, here is another of my favourite animated short films.  This one, La Maison en petits cubes (つみきのいえ, Tsumiki no Ie, “The House of Small Cubes”) is a 2008 Japanese animated short subject film created by Kunio Katō, with music by Kondo Kenji. It won the grand prize for short films (the Annecy Cristal) at the Annecy International Animated Film Festival in 2008 and the Academy Award for Best Animated Short Film in 2009.  It is a haunting, beautiful and evocative poem on narrative and memory; transience and love.

Wikipedia give a completely on-the-nose plot summary as follows:

As his town is flooded by water, an aged widower is forced to add additional levels onto his home with bricks (cubes) in order to stay dry. But when he accidentally drops his favorite smoking pipe into the lower submerged levels of his home, his search for the pipe eventually makes him relive scenes from his eventful life.

Comments welcome…